
TESTIMONIALS
WHENEVER I HAVE A SHOOT COME UP, ONE OF MY VERY FIRST CREW CALLS IS TO HARPER W. HARRIS. HIS WORK IS EXCELLENT, HE'S A PLEASURE TO WORK WITH, AND HE MAKES SURE NO MATTER WHAT THE SIZE OF THE SHOOT IS, HE DELIVERS WITH PROFESSIONALISM AND EXCELLENCE. CAN'T RECOMMEND HARPER HIGHLY ENOUGH FOR WHATEVER AUDIO NEEDS YOU'RE LOOKING TO FILL.
KRISTEN ACKERLEY
PRODUCER, PULLSPARK PRODUCTIONS
I HAVE USED HARPER ON SEVERAL PROJECT SHOOTS AND THE AUDIO IS ALWAYS CRISP AND CLEAR. HE IS EASY TO WORK WITH, COMMUNICATES EFFECTIVELY AND HAS A CAN-DO ATTITUDE.
ALAN J. SANDERS
AJS PRODUCTIONS
HARPER IS VERY PROFESSIONAL AND EASY TO WORK WITH. HE IS ALWAYS WILLING TO GO THE EXTRA MILE AND HAS EXCELLENT COMMUNICATION AS WELL.
TOREY HAAS
DIRECTOR OF DEAD BY MIDNIGHT (11PM CENTRAL)
PODCASTS
Season 1
Sound Editor/
Designer/Mixer
Season 1
Sound Editor/
Designer/Mixer

Season 1
Sound Editor/
Designer/Mixer
520+ Episodes Edited/Mixed
Season 1
Sound Editor/
Designer/Mixer
145+ Episodes Produced, Hosted, and Edited/Mixed
Season 3
Sound Editor/
Designer/Mixer
100+ Episodes Produced, Hosted, and Edited/Mixed
Guest Appearances

AWARDS
Southern
Shorts
Awards
Southern Shorts Awards 2017
Award of Merit For Individual Achievement in Sound Design for A Midwestern Methamphetamine Fairytale
Depth of Field Int'l. Film Festival
Depth of Field International Film Festival 2018
Award of Exceptional Merit for Sound Editing for
A Midwestern Methamphetamine Fairytale
Chicago
Horror
Film Festival
Chicago Horror Film Festival 2022
Best Short Film Sound for Lethalogica
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I love sound–I love how it can enhance a story, and how it can subconsciously tell its own story. George Lucas once said, "Sound is 50% of a movie," and I aim to make that half tell a rich and engaging story.
Since 2015 I've had the chance to work on a wide range of projects, from short and feature films to corporate and industrial pieces, web series to podcasts. I love doing both production and post-production sound, and find that keeping active on both sides has given me a unique perspective on best practices and how sound can have a significant and meaningful impact on a piece of work.
Contact me today and lets talk about how we can work together to tell your story!
ABOUT
RATES / SERVICES
Production Sound Mixer
Does not include equipment
$475 / 10 Hours
$600 / 12 Hours
$475 / Travel Day
$50/hr / Overtime
Post-Production Audio
Dialogue Editing, Sound Effects Editing, Foley, Mixing
Please Contact for Post-Production Quotes
Basic Equipment Kit
$225/day
Zoom F8 8-Channel Recorder
Boom Kit (K-Tek 12' Boom, MKH50 or CS-M1)
1 x Wisycom MCR54/MTP60 Wireless w/ Cos-11d Lav
Slate w/ Added Timecode
Additional Equipment Rates (per day)
$95 - Additional Wisycom Wireless w/ Sanken Lavalier
$25 - Tentacle Sync for Timecode
$40 - IFB / Camera Audio Hop (mono)
$50 - Additional Boom
$40 - VO/Podcast Mic
























































